Morning Musume and L'Arc en Ciel to Perform in Korea

Morning Musume and L`Arc en Ciel, two of Japan`s hottest pop groups, will soon be in Seoul to perform.

L`Arc en Ciel, one of the most-loved Japanese rock bands in the world, will play at the Seoul Olympic Gymnastic Stadium in southeastern Seoul on May 17.

Formed in 1991, the quartet of Tetsu (bass guitar), Hyde (vocal), Ken (guitar) and Yukihiro (drum) has been at the heart of J-pop`s popularity overseas from the beginning, selling more than 25 million albums worldwide.

The group, whose name means rainbow in French, made its breakthrough in 1996 when they sold a million copies of their fourth album "True." Their popularity in Asia grew when they simultaneously released two albums, "Ark" and "Ray," in seven Asian countries in 1999.

Including the most recent "Jojoushi," 16 of their singles have topped the Japanese Oricon chart.

The group made their U.S. concert debut when they performed during the Otakon anime convention in Baltimore, Maryland in 2004. Since then, they have accumulated a following in the States, especially among anime fans, as their music has been used as theme songs for Japanese animation films.

The band members have also worked on solo projects. Hyde has released several solo albums, starred in films, and gave a concert in San Francisco in 2006, while Tetsu recorded with a band called Creature. Ken released a solo album called "Speed" in 2006.

Ticket prices range from 44,000 won to 99,000 won. For more information, call (02) 783-0114.

Morning Musume, the bestselling girl group in J-pop history, will celebrate their 10th anniversary with a concert at the Olympic Hall in the Seoul Olympic Park, southeastern Seoul, on June 1.

Also referred to as "Momusu," the group started in 1997 and is well-known for its ever-changing line-up, with "graduations" and auditions occurring nearly every year. Currently, the group consists of nine girls, of which none is an original member.

Starting off with five members, the group made its first appearance on a talent-search TV program called "Asayan" in 1997. Since their first official single, "Morning Coffee," hit No. 6 on the Oricon charts, the group has taken the J-pop world by storm, with almost anything associated with them becoming an instant hit, including television commercials, TV shows, films and musical dramas.

Earlier this month, their 36th single, "Resonant Blue," was released. The album contains a DVD collection of their videos, as well as two new songs which will be performed during the upcoming Seoul concert. "I still remember the excitement and thrill when I first met Korean fans. I`m so glad to come back to Korea with other members," Ai Takahashi, the current leader of the group who visited Seoul to promote their best-of album, "All Singles Complete," told Mnet Media, the main promoter of the concert.

Ticket prices from 66,000 to 88,000 won. For further information, call (02) 3485-1159.

source: http://asianfanatics.net/forum/Morning-Musume-and-L-Arc-en-Ciel-to-Perform-in-Korea-talk535134.html

Chow Yun Fat's new movie "The Children of Huang Shi" Synopsis

Sony Pictures Classics has released the first poster for The Children of Huang Shi and not a moment too soon, as the film is due to hit theaters this month (June 20th, 2008) in the USA.

The Children of Huang Shi Poster & Trailer
Based on real events, The Children of Huang Shi is a story set against war-torn China in the 1930's. The film centers on a young English journalist (Jonathan Rhys Meyers), an American nurse (Radha Mitchell) and the leader of a Chinese partisan group (Chow Yun Fat) who meet in desperate and unexpected circumstances. Together they rescue 60-orphaned, children leading them on an extraordinary journey, across hundreds of miles of treacherous terrain, through snow-covered mountains and an unforgiving desert. Along the way they discover the true meaning of love, responsibility and courage.

Starring / Casting:
*George Hogg - Jonathan Rhys Meyers
*Lee Pearson - Radha Mitchell
*Chen - Chow Yun-fat
*Madame Wang - Michelle YeohBarnes
*Shi Kai - Guang Li
*Lo San - Jin Shuyuan
(English, Japanese, Mandarin dialogue)

The heroic true tale of a Brit journalist’s rescue of dozens of orphaned Chinese youth in the face of an advancing Japanese army has become a cloddish if gorgeous-looking wartime adventure epic in “The Children of Huang Shi.” Giving Jonathan Rhys Meyers the kind of manly yet paternal role Spencer Tracy once mastered, this carefully wrought international production relates the basic story of reporter George Hogg without any vibrancy, emotion or style. Late-act romantic touches seem unlikely to stir commercial interest for what looks like a small-scale performer at best, opening May 23 Stateside after its Chinese mainland preem.

While screenwriters James MacManus and Jane Hawksley stick to the general facts of the situation in China in 1937-38, when Japan brutally thrust deep into the mainland, they have an uncertain grasp of dramatic interest and distinctive characters. Based on the evidence here and in his previous film, the Rwandan-genocide drama “Shake Hands With the Devil” (also a true story of a white man trying to rescue nonwhite innocents), director Roger Spottiswoode’s skills for physical production outpace his ability to generate vitality and bring out the best in his actors.

Young reporter George (Rhys Meyers) arrives in Shanghai in late 1937 to report on the Nippon takeover of China and the combined efforts of Chinese nationalists and communists to fight back. He and colleague Barnes (David Wenham) manage to get behind Japanese lines in Nanjing (better known as Nanking) during the horrific destruction and occupation of the city.

During this section, the pic is intense in its depiction of what a journalist might encounter trying to report and shoot photos of atrocities. George is soon captured, but like cavalry coming over the hill, a rebel unit led by Chen (Chow Yun-fat), a communist engineer whose job is to blow up buildings to thwart the Japanese, saves the journo in the nick of time.

George actually has two last-second rescues at the hands of strangers -- the second being doctor Lee Pearson (Radha Mitchell) -- and it’s at this point that the film begins to show signs of narrative exhaustion. Lee suggests to friend (and, as it turns out, ex-lover) Chen that they shuttle George to the relative safety of rural Huang Shi, site of a children’s orphanage, but once he arrives, George finds nothing but hostility.

Resident mother figure Lo San (Shuyuan Jin) has little control over the rapscallions who run roughshod over the orphanage. Lee tells the reluctant George he must stay here and take care of the boys -- all the better to bone up on his Mandarin -- while she makes house calls across the region.

Midsection settles into a predictable pattern of sequences in which George adjusts to his surroundings, makes friends with the boys -- except their spiky leader, Shi-kai (Guang Li) -- and connects with wealthy merchant Madame Wang (Michelle Yeoh, nicely cast).

While the central characters are finally allowed to develop some inner lives and a bit of friction (including a barely developed love triangle of sorts involving George, Lee and Chen), they are generally more pleasant than specific, while the real nemesis is often offscreen, in the vague form of a Japanese army on the march. In this regard, the pic underlines the general rule that humanitarians frequently don’t make for the most vivid film characters; George Hogg is simply drawn as a brave, kindly man who finds his life’s purpose, which isn’t filing daily war dispatches to Fleet Street.

Once those in the orphanage must flee from the encroaching army, the film shifts into an adventure epic that travels across large vistas of interior China, including some brief but striking passages in the Gobi desert. Longtime Zhang Yimou cameraman Zhao Xiaoding once again displays his skills at picturing human beings in the context of vast landscapes, despite plodding direction and editing.

The inevitable George-Lee love story finally blossoms, though all too briefly, and even tragic turns feel somewhat glossed over and emotionally parched. Rhys Meyers is certainly up for the challenge of a forthright hero and brings as many shades as he can, but he and the engaging Mitchell are unfairly saddled with lines like, “You are the bravest, most beautiful woman I’ve ever met.” Chow leaves little impression, while Guang is impressive in key scenes.

The multinational nature of the production displays all its resources, but that might also explain why too much of the dialogue is in English, including scenes the orphans couldn’t possibly understand.

source: http://asianfanatics.net/forum/Chow-Yun-Fat-s-new-movie-The-Children-of-Huang-Shi-Synopsis-talk535045.html

The Canadian pop star (Edison Chen) who shocked a billion people

For a man who scandalized a billion people, Edison Chen is a surprisingly sympathetic character. On Feb. 21, the 27-year-old, Vancouver-born pop star — and the protagonist of the biggest celebrity sex scandal China has ever seen — sat at a small table facing 400 reporters and photographers gathered at the Hong Kong International Trade and Exhibition Centre in Kowloon. His head hung low, his eyes were downcast, his shoulders slumped. Even his hair — usually worn spiked, and now slicked to his forehead — appeared to be atoning. He sighed deeply into the microphone. "Today, I have come back to Hong Kong to stand before you and account for myself," he said, in his native English. Camera flashes conjured a lightning storm.

In the preceding weeks, hundreds of sexually explicit photographs of Chen and many of Hong Kong's most beloved female teen idols had been leaked onto the Internet. Millions had viewed Chen engaged in some of the most intimate and acrobatic positions imaginable with more than half a dozen different partners. For almost a month, there had been non-stop press coverage as images leaked out in a seemingly endless stream, despite the best efforts of police to contain them.

"I admit that most of the photos being circulated were taken by me," Chen said, adding that they were stolen from him, and never intended for public consumption. "This matter has deteriorated to the point where society as a whole has been affected by this and in this regard, I am deeply saddened." He appealed for forgiveness from "the ladies" and their families, from his parents, from the police and, most importantly, from the people of Hong Kong. "I know young people in Hong Kong look up to many figures in our society and in this regard, I have failed. I have failed as a role model." He announced his resignation from the industry to search his soul. "I will be away from Hong Kong entertainment indefinitely," he said. "There is no time frame."

Outside, the paparazzi, which had been pursuing Chen with a Watergate-esque zeal, were in a frenzy. News reports claimed the actor was receiving round-the-clock police protection. His life was being threatened by Triad gangsters, they said, who allegedly control the Hong Kong entertainment industry and who did not appreciate the ruin of some of their most lucrative stars. (It also happens that Chen's current girlfriend, and one of the women in the pictures, is the niece of mob-connected music mogul Albert Yeung, chairman of Chen's former record label, Emperor Entertainment Group.) Posters affixed to downtown locales reportedly offered a reward of HK$500,000 (US$91,000) to whoever could produce his dismembered hand. More than 200 police officers were mobilized for the press conference, and at least 80 formed a human chain around Chen's parked car to ensure his safety coming in and out of the building. One angry legislator told reporters, "They don't go to such great lengths to protect even the chief executive." Weeks after the apology, across mainland China, thousands of anti-fans held protests, with banners that read "Reject Edison Chen, give back modern civilization."

It may at first seem difficult to understand all of this fuss over a bunch of dirty pictures, especially in North America, where between Paris Hilton and Pamela Anderson, having Internet access is tantamount to joining the Hollywood sex-tape-of-the-week club. The Edison Chen incident was covered in the North American press, but primarily as salacious scandal. In the West, we're more cynical about our celebrities — we've come to expect and enjoy their frailties as part of the entertainment experience. But moral standards in China are decidedly different. In 2006, for example, when a tabloid published a photo of Gillian Chung, of the squeaky clean female pop-duo Twins — and one of Edison Chen's co-stars in the photo scandal — adjusting her bra backstage during a concert, it sparked a national controversy about indecency in media coverage. By comparison, the Edison Chen scandal was like finding online pictures of Justin Timberlake in flagrante with Jennifer Aniston, Jessica Alba, Scarlett Johansson, Lindsay Lohan, Hilary Duff and either one of the Olson twins — except in a country where, as recently as 20 years ago, there was no sexual education at all.

The fallout of the Edison Chen scandal extends far beyond its star. In addition to the devastating personal and professional ramifications for the women involved, the incident left the public with all sorts of questions. How do you regulate public decency in a society that is changing as quickly as China's? Are the Internet and tabloid media hijacking the culture? In the press and in online fan forums it also launched a wave of conspiracy theories: did authorities put Chen up to his apology and resignation in order to minimize negative publicity in the months leading up to the Beijing Olympics? Are they using the scandal as an opportunity to crack down on Internet freedoms? Is it possible that Chen leaked the photos himself to jump-start his career in Hollywood? After all, observers pointed out, his first big North American break is on the horizon — a role in the highly anticipated upcoming Batman film, The Dark Knight.

Since that day in February, Edison Chen has fallen off the face of the earth — perhaps a wise move given the Triad rumours. Some reports place him in Boston, where his girlfriend, Vincy Yeung, is attending college. Other reports put him in a rehab centre in Utah getting treatment for sex addiction — but say he left after he was beaten up by several other male patients for unknown reasons. Still others swear he is in Hollywood being wine and dined by producers who want to parlay his notoriety into the next big thing.

As it turns out, Edison Chen has been spending time with his family in British Columbia. His cousin Oscar Lo, an animator, confirmed that his family in Vancouver is rallying around him. "We actually had dinner with him last night," he recently told Maclean's. "He's fine. He's in good spirits. Just laying low." The family, he says, is very supportive. "I think over there people react differently than they would've here. Here, I don't think it would've been such a huge deal." Lo, who grew up with Chen, says he wasn't particularly concerned for his cousin's well-being, despite all the media speculation. "He's a smart guy," he said. But he still worried about how Chen was doing personally.

In Canada, Chen is relatively unknown, unless your taste in movies runs to the teen horror genre. In 2006, he starred in The Grudge 2 with Sarah Michelle Gellar, his first Hollywood crossover film. That year, he was also chosen to be among People magazine's sexiest newcomers. Boyishly handsome, Chen can get around pretty anonymously on this side of the ocean. But in Hong Kong and mainland China, he is a virtual multimedia brand, a would've-been Sean "Puffy" Combs with an expanding list of job titles: film and music star, record producer, fashion entrepreneur and hip-hop style icon.
"Edison enjoyed, before the outbreak of the sex-photo scandal, enormous popularity in Hong Kong and among the Chinese speaking community around the world, including China and Taiwan," says Vivienne Chow, a Hong Kong-based entertainment journalist for the South China Morning Post who has followed the scandal closely. "He quickly established himself as a heartthrob with his unusually photogenic face" — a face that won him lucrative endorsement deals with Pepsi, Mastercard, Samsung and others.

"I think an apt U.S. parallel might be someone like Justin Timberlake," says Anne Ciecko, a professor of contemporary Asian cinema and popular culture at the University of Massachussetts-Amherst. "He's got marketable boyish appeal and musical talents, some acting chops, tons of commodity potential." And the life suited him. "I was a lost soul," he said in a 2006 interview. "I swear becoming an entertainer has saved my life and made me more focused. I was so lost before."
On the surface, at least, Chen's life before fame seems quite ordinary. Born in Vancouver in October 1980, Chen grew up in a close-knit family with his mother and two sisters (one of whom, Tricia, also has a career as a pop star in Hong Kong). His father, Edward Chen, a businessman, moved back to Hong Kong to work, but stayed closely connected to the family. Chen told BeingHunted, an online magazine, in a 2006 interview, "My family has inspired me the most in my life . . . I believe my mother is the best woman in this world . . . and she has guided me to be a righteous person, taught me my values, taught me how to REALLY treat a lady. And then there is my father who has guided me through so many of my career problems."

As a boy growing up in Richmond, B.C., Chen, along with his cousin Oscar, was a rabid collector of sports cards and comics — X-men, Batman, Superman, the standard boy fare. He spent much of his time at Imperial Hobbies, a local game and comic-book store where he eventually worked. "We used to deal with him quite a bit when he was a kid," says Francis Munroe, the store owner. "He was very intelligent and probably one of the best kids I knew for being so polite." His acting career came as no surprise at all, says Dave Strutt, the store manager. "He was a very charming young fellow. I think the girls always found him charming, too. Any girls around."

One summer, Chen, who attended R.C. Palmer High School, went to visit his father in Hong Kong — which has long served as the heart of the Chinese-language entertainment industry. He was approached by a talent scout about shooting a commercial. He also caught the eye of actor Jackie Chan, who approached Chen about signing him for a movie. At that point, Chen had virtually no experience in the entertainment world. So he enrolled in Jackie Chan's school for young actors, and spent eight months learning martial arts, singing and dancing. Unlike the North American star system, where J.Los and Timberlakes are a relative rarity, Hong Kong pop stars have a long tradition of crossing platforms. They're expected to be able to do everything: sing, dance, act, sell merchandise. Their images are very carefully sculpted and controlled. At the age of 20, Chen signed a record deal with Emperor Entertainment Group (EEG) and in November 2000, his first CD, Edison Chen, hit gold. He was on his way to teen idol-dom.

His early hits were syrupy Canto-pop ballads — songs about shy glances and puppy love he'd sing to hordes of swooning girls. Likewise, his early films were mostly pop fare with titles like Gen Y Cops and The Spy Dad. "Girls have posters of him in their bedrooms and stickers of him on their notebooks at school," says Robert Vance, an American teacher and writer based in China. "I don't ever hear anyone talking about his great movies or songs. They just talk about his looks."

Chen's Canadian roots gave him a certain cachet, and he had the added advantage of being able to perform in four languages: Cantonese, Mandarin, Japanese and English. This put him in the position to become huge not just in Hong Kong, but throughout China. In the former British colony's post-handover era, there is a great deal more overlap in popular culture with the mainland. China has opened up more in recent years, too, with a lot of its Westernization coming via Hong Kong, Taiwan and Japan. Though there are still some restrictions on the flow of content into the mainland, says Cieko, they have proven nearly impossible to enforce with the spread of the Internet.

As he became more successful, and able to exert a measure of influence over his career, Chen made use of his North American "outsider" appeal and morphed into a bad-boy hip-hop artist, which he felt was more authentically his style. In 2004, he released his first Cantonese hip-hop album, Please Steal This Album. Several singles off the record, peppered with English slang, topped the local charts. Last year, he released what he called China's first rap album, a Mandarin record called Allow Me To Reintroduce Myself, with tracks produced by Kanye West. In 2006, he won the U.S. hip-hop industry's seal of approval when he opened West's first show in Kowloon. He also earned some acting credibility when he starred in the crime-thriller trilogy Infernal Affairs (hailed as the godfather saga of Hong Kong), which Martin Scorsese later remade as the Oscar-winning film The Departed.

The mania around Chen ensured that he would become a popular target for the country's flourishing paparazzi. In the tabloids, he was always pictured with one beautiful girlfriend or another, as would befit a young pop star. He was not, however, universally admired in his adopted country. Chen felt that, as a rapper, he was often singled out by increasingly aggressive tabloid reporters. "They choose to target me and say a lot of bulls--t," he said in 2006.

But observers say Chen often brought negative attention upon himself. "Edison has never been the most popular among the press," says Vivienne Chow. "Despite this being a highly Westernized society, manners are still regarded as highly important here and Edison did not always show the kind of manners that the press expected." In 2004, he was involved in a street brawl in Hong Kong with a couple of teenagers who were taunting him and mimicking his breakdance moves. One of them threw a punch. Chen suffered face and neck injuries, but he declined to press charges. In May 2007, in a heated moment, Chen was charged for kicking and denting a taxi that was blocking his driveway and was put on a one-year good behaviour bond.

But changes were coming. By this point, Chen was well on his way toward building his own Jay-Z style hip-hop empire in China. In 2003, having read Malcolm Gladwell's The Tipping Point, he co-founded CLOT, an urban lifestyle company that specializes in everything youth-culture-related — including urban fashion, a music label, corporate consulting and event production. He even opened his own New York-style pizza joint. In Hong Kong and China, Chen said in one interview, there were no other companies fully taking advantage of the booming urban youth market. After reading Gladwell's book, he said, "I realized I had the power to be the first match to light the huge fire." CLOT has done design collaborations (or "collabos" as he calls them) with Nike, Pepsi, Levi's and Lacoste, among others.

As he got older, his playboy image had begun to mature and his entrepreneurialism had earned him some industry respect. "I used to hate interviews," he told Vivienne Chow in May 2006. "But now I love interviews because . . . people are actually respecting me more to talk about real issues instead of, 'What kind of girl do you like? Long hair? Lush lips? Wearing Nike?' You know. They actually ask me about my work now. And I'm appreciating that and maybe it's because I'm actually putting time into my work now. Whereas before I used to just show up." Of course this was before his Apple PowerBook laptop, where he stored his most private mementos, went on the fritz.

In late January of this year, the first series of three explicit pictures turned up online. They showed Chen engaged in sexual acts with Gillian Chung and Cecilia Cheung, two of Hong Kong's biggest female stars. Photos featuring at least a half a dozen other female celebrities continued to leak onto the Internet, until there were hundreds — featuring them naked, semi-naked, in the shower, with stuffed animals, in bikinis, and in every conceivable position — being passed around by the millions, crashing servers and bringing the entertainment industry to a standstill. Among his many co-stars in the photos were singer Candice Chan, model-actress Rachel Ngan, and former beauty pageant contestant Mandy Chan. Some were in other well-publicized relationships at the time the scandal erupted. Others were implicated, like Maggie Q of the Hollywood film Live Free or Die Hard, but denied any involvement with Chen.

Adding to the hype was a mysterious personage — only self-identifying as "Kira," the name of a well-known Manga character — who was leaking the images systematically, ostensibly from a foreign location, and publicly taunting a hapless police force trying to contain the onslaught. The story played out like a mystery-thriller and fans followed along obsessively: who would be next? What obscene position would they be engaged in? Was Chen's life really being threatened?

As much as Chen was chastised, fans largely blamed the women involved. Cecilia Cheung, for instance, is married to a Hong Kong celebrity named Nicholas Tse, and the scandal sparked gossip that their new child might be Chen's. Two others reportedly called off their engagements. "In Hong Kong, in some ways they are very conservative," says Shuyu Kong, a professor of Chinese media and popular culture at the University of Sydney in Australia. "You think of Hong Kong as Westernized and open, but not in every aspect."

Particularly shocking to the public was Twins' Gillian Chung, a spokesperson for Hong Kong Disneyland, who has appeared with Chen in a number of very sweet Canto-pop videos, the kind parents approve of. Despite her weepy public apology — she said she was "naive" in her youth — and her record company EEG's early insistence that the photos were doctored, fans were shocked and angered that she deceived them by faking an "innocent girl" image. "In public, she frequently claimed how she was just so pure, naive and a virgin," says Kong. "She was a girl in her twenties who said she had never been kissed, and when she was kissed, she was so uncomfortable. She never had a boyfriend. People loved to believe it."

The story occupied the front pages of the local papers for a month: the Los Angeles Times reported that some papers in Hong Kong experienced a 50 per cent jump in circulation during the scandal. Particularly in mainland China, says Kong, fan culture of any sort is a new thing, and there is a belief that stars should be infallible. "Maybe 10 years ago fan culture was not so big," she says. "But now it's such a big thing and a lot of them are high school and even elementary school students." The biggest celebrities in China have a god-like status that they don't have in North America, Kong says. On the one hand, they're expected to have a very cool, edgy image, but on the other, fans still expect them to have an impeccable moral compass.

The scandal was discussed on every entertainment and current affairs show, with expert panellists from Hong Kong, China, Taiwan and beyond assembled to discuss its various social and political ramifications. In Guangzhou, in Guangdong province, the most open city in the country, schools used this case to teach their students about privacy and morality: how to think about pop idols; how to correctly use the Internet; and the importance of the social value of privacy. "The schools decided they can't avoid [the scandal]," says Kong, "and so they want to use it almost like a textbook case study to preach their ideas."

As for the Hong Kong police force, just because they couldn't contain it, it didn't stop them from waging a valiant effort. The computer store where Chen had initially taken his broken laptop was raided. Authorities seized computers that contained 1,300 pictures belonging to Chen. In the week after the photos leaked, nine people were arrested, including computer store technician Sze Honchun, who was charged with accessing a computer with dishonest intent. Also charged was a 24-year-old clerk in Kowloon, who is alleged to have uploaded zipped files containing 93 photos classified as "indecent" or "obscene" to an online server in Cyprus, and then pasted hyperlinks to the files in a Hong Kong forum, where they could be accessed by anyone.

"The Hong Kong police don't have much experience in dealing with this kind of cyber- crime," says Shuyu Kong. The day after they announced their victory — that they had rooted out the source and apprehended a perpetrator — a flood of new photos came out, accompanied by messages from Kira: "Catch me if you can!" Desperate, the police threatened to punish anyone caught possessing, distributing, or looking at the photos. "The police head made this announcement and a lot of people just panicked, or felt angry," says Kong. "They thought, Why? It's on the Internet. Just because I watch it I can be punished? Lawmakers didn't agree with this police statement. There was quite a controversy about it."

The public generally responded in one of two ways: there were those who believed it was a privacy issue, and that a crackdown was warranted because the photos were stolen property and the public shouldn't be free to pass around private, explicit pictures. On the other side, however, were those who said it was a freedom-of-speech issue — and that police were selectively applying obscenity laws. In early February, more than 200 people protested the police's handling of the case. They argued that there are thousands of nude photos on the Web, posted without the subjects' permission — why zero in on these ones just because they involve public personalities?

In any case, in mainland China, the government's early reaction, a crackdown on those who had viewed the photos, proved ineffectual. "It quickly became apparent that this was not going to occur in light of the fact that millions were viewing the photos," said Vance. It was not the first time the Chinese government had made promises it couldn't keep when it came to cleaning up the Internet. For example, in December 2007, they announced that all video sharing sites would be under state control. "They had to scale back that plan when they realized that it just wasn't feasible," he said. "Even sites that are routinely blocked in China — such as YouTube and the BBC — can be viewed easily using anonymous proxies." In short, there is no stopping a curious fan.

The entire Edison Chen ordeal underscores the fact that, where sex is concerned, the younger generation in China may as well have grown up on a different planet from their parents and grandparents. During the reign of Mao Zedong, all discussion of romantic love and sexuality were prohibited — deemed preoccupations of the self-indulgent bourgeoisie. Men and women wore the same unisex uniforms and hairstyles. In fact, it was not until the '80s that basic sexual-education programs were developed, and even then, discussion limited to the importance of using birth control to limit population growth.

Now, after decades of sexual repression, China is experiencing something of a sexual renaissance. Provocative advertising, sex shops, and films with steamy love scenes suddenly proliferate. Prostitution in hotels and karaoke brothels is soaring because of the country's one-child policy, which created a generation of men with too few potential female partners.

The new openness brings some undesirable consequences — rates of teen pregnancy and sexually transmitted diseases are up. And of course, when you squeeze decades of social evolution into a handful of years, there is bound to be conflict and resistance as young and old stake their positions. In the midst of these growing pains, perhaps no one was quite prepared for Edison Chen. "It was certainly a huge shock to the society as something like this has never happened before in the Chinese entertainment world," says Vivienne Chow. Outraged by the Chinese media's wall-to-wall coverage of the scandal, Shanghai Daily critic Wy Jiayin wrote, "The obsession with low-taste news may be nothing in the West, but it's time for Chinese journalists to reflect: shall we follow the amusing-ourselves-to-death path that has never been part of mainstream Chinese culture?"

The public, meanwhile, had to come to terms with the reality that the pictures didn't download themselves. "The outward reaction was of disgust, disappointment and shock," says Vance, "but when you press students on their true feelings, they admit that 'in these times' it really is no big deal. The 'shock, disgust and disappointment' that they express is probably mirroring what their parents are saying but my students seem to be more fascinated by the scandal than anything else. The younger generation is much more open to sex than before. In fact, they are curious about it. One of my students explained to me that she viewed the photos because she wanted to learn more about sexual techniques since her parents never talked to her about sex."

Meanwhile, the personal consequences for Chen have been enormous. His Mastercard billboards have come down. His mother apologized to the press, saying she had failed as a parent to instill good morals in her son. Chen was cut from Columbia Pictures's new Hong Kong-produced film, Jump, and Sing Tao Daily estimated the scandal could cost Chen HK$10 million in work and endorsements a year, not to mention the more than HK$2 million he earned per year in voice-over work, which has in the past included projects such as the Cantonese Shrek the Third.

Since the Feb. 21 press conference, the question that remains is: can Chen ever come back? Many say no, but Shuyu Kong believes many people were won over by his contrition. "He apologized very sincerely," she says, "and lots of people, at least in the media, sympathize and forgive him." He is rumoured to be starting production on a new film this summer, a co-production between a Singapore company and an independent U.S. production house, in which he plays an American student in Singapore who falls in love with a local woman, played by the actress Shu Qi.

Perhaps he would be best to take his own advice. In 2006, Chen told an online Hong Kong magazine, "If I could go back in my life, I wouldn't change a goddamn thing. I am happy with the way my life's events have shaped me, my character and my values. Sometimes you got to go through the tough pain to make the extra stride to maturity." If he is wise, he will chalk the past four months up to one giant stride.

source: http://asianfanatics.net/forum/The-Canadian-pop-star-Edison-Chen-who-shocked-a-billion-people-talk535033.html

All hail Jackie Chan, King of Comedy Kung Fu!

He's the butt-kicking, karate-chopping, kung fu superstar who rose from nowhere to conquer Hollywood in a spectacularly visual style.

With his compact but wiry 5-foot, 9-inch frame, Jackie Chan seems to pale into insignificance when compared with muscle-bound Hollywood tough guys such as Arnold Schwarzenegger and Jean-Claude Van Damme.

But combining extraordinary athleticism and an acrobatic style, Chan could probably take them both on in a fight and emerge victorious.

Best known to western audiences as star of the Rush Hour trilogy, Chan is a prolific actor who has made more than 100 films spanning three decades.

But success did not come easy for Chan, who made a string of flops in the early 1970s in Asia.

He struggled for years to break out of the shadow of Bruce Lee, the undisputed kung fu king of the time -- even appearing as a stuntman in two of Lee's films.

But in 1978, Chan landed his first hit in Asia with "Snake in the Eagle's Shadow." This was quickly followed by "Drunken Master," which catapulted him to fame, and he suddenly became one of the highest-paid actors in the industry.

Chan is credited with creating a new film art form, with his comedic take on martial arts, reminiscent of Buster Keaton's slapstick style.

"He totally reinvented Hong Kong cinema," said Renee Witterstaetter, author of "Dying For Action: The Life and Films of Jackie Chan."

"He created a new film art form, mixing humor with martial arts," Witterstaetter said. "It was so different and unique."

Although a household name in his native Hong Kong and most of Asia, Hollywood seemed largely oblivious to his talents.

It was not until 1994 when he made "Rumble in the Bronx," which grossed $10 million in its opening weekend and made it to number one at the U.S. box office, that Chan finally cracked Hollywood.

Soon big-budget hits such as the "Rush Hour" series and "Shanghai Noon," followed.

"Rush Hour" was Chan's first movie to break $100 million at the U.S. box office, earning $141 million, according to the box office tracking Web site, Box Office Mojo. "Rush Hour 2" made $226 million and "Rush Hour 3" has earned $137 million so far.

His current cinematic venture sees him paired with longtime friend Jet Li in "The Forbidden Kingdom" in their first movie collaboration. Set in a mythic, ancient China, it is described as "The Wizard of Oz with lots of martial arts."

The martial arts dream team have already seen "Kingdom" debut at No. 1 with $20.9 million in ticket sales last weekend, but Chan says the reason it took him so long to work with Jet Li is because he didn't like the Hollywood scripts they were initially offered.

Chan, 54, is also quite candid about the fact that he doesn't like most of the Hollywood films he has made. He revealed to CNN: "I didn't really like 'Rush Hour.' In America, everyone likes 'Rush Hour,' but in Asia nobody likes it.

"They like talking too much in America but in Asia they like to fight more in the films."

After the film wrapped in 1998, he wrote on his Web site: "When we finished filming, I was very disappointed because it was a movie I didn't appreciate and I did not like the action scenes involved.

"I felt the style of action was too Americanized and I didn't understand the American humor."

Chan has certainly come a long way from his impoverished childhood in Hong Kong, where the story has it that his parents were so poor, they nearly sold him to a British doctor for less than $100.

However, his parents instead enrolled him at the China Drama Academy, a talent school of hard knocks with a draconian regime that included training in music, acrobatics and martial arts that lasted 18 hours a day. Beatings were commonplace.

Children were made to perform headstands for hours on end and Chan describes being forced to run, arms outstretched, carrying two full cups of water, with strict instructions not to spill a drop. With his parents now living in Australia, Chan stayed at the school for ten years and was adopted by his Master.

Undoubtedly, the academy's grueling regime would later stand Chan in good stead, turning him into an incredibly driven and disciplined stuntman turned actor, who always choreographs and performs his own stunts.

As a consequence, no insurance company will underwrite Chan's productions, which are legendary for his death-defying super stunts. They include water-skiing barefoot behind a speeding hovercraft, jumping off a building and swinging from a hot air balloon.

Chan holds the Guinness World Record for "Most Stunts By A Living Actor."

He also holds the record for the most number of takes for a single shot in a film, having shot over 2900 retakes for a complex scene involving a badminton game in "Dragon Lord."

Unsurprisingly, Chan has suffered a litany of injuries in the course of his film career. Over the years, he has dislocated his pelvis and broken his fingers, toes, nose, both cheekbones, hips, sternum, neck and ribs on numerous occasions.

When filming "Police Story" in 1985, he suffered second-degree burns to his hands and palms after sliding 100 feet down a pole festooned in Christmas lights.

Many of the injuries have appeared, in eye-watering viewing, as outtakes or bloopers during the closing credits of his films.

But in 1986, he came close to death while filming "Armor of God," when he fell 45 feet from a tree and fractured his skull, leaving a permanent hole in his head.

Chan explained to CNN's TalkAsia host, Anjali Rao that he never insists on doing his own stunts. It's just the way things are done in Hong Kong.

"Making a film in Hong Kong in the old days was not like Hollywood," he says.

"We didn't have protection like elbow pads and we didn't have the knowledge about safety. I had to risk my life jumping from building to building."

Chan is a one-man movie-making machine. He has his own production and distribution company -- Jackie Chan Emperor Movies -- and controls all aspects of the movie-making process, from casting to directing, producing, screenwriting, choreographing and stunt coordinating. He even has his own stunt team and casting agency.

His director on the Rush Hour series, Brett Ratner told CNN's The Screening Room that Chan's versatility gives him the edge over other martial arts stars like Bruce Lee and Jet Li.

"Jackie is the most gifted actor of the three because he has the most range. Bruce Lee is a legendary performer and martial artist, but I don't think he is as funny as Jackie Chan.

"Jackie can be funny, he can be dramatic, he can do the action and the stunts, he can direct, edit, shoot. He is also a stunt coordinator so he is everything wrapped into one."

source: http://asianfanatics.net/forum/All-hail-Jackie-Chan-King-of-Comedy-Kung-Fu--talk535024.html

Fish Leong, Fan Fan collide, heightens each’s character and style

Fan Wei Chi and Fish Leong collide, the two wear green low chest dress at the same time, but one is tall, one is short, and show a different style wearing the same dress.

Both that are singers that specialize in wound curing songs, Fan Wei Chi and Fish Leong Jing Ru, have clothing tastes that are also similar. Both wear Dou Ten Huang and Chang Li Yu’s 2008 newest spring/summer style, shoulderless low chest jasper gown. But one is tall, one is short, and show a different style wearing the same dress. Fan Wei Chi shows elegancy, while Fish Leong is cute.

Fish Leong and Fan Wei Chi are both experts in singing warm love songs, the two have numerous similarities. Aside from both having concerts, one in June and one in August, they also passed each other while collecting songs for their albums. 2 years ago, while Fan Fan was preparing her album ‘One on One’ < 一比一>, famous song producer Chen Shiao Shia and Yeow Ruo Long especially created the song ‘Skinny’ <瘦瘦的> for the slender Fan Wei Chi, but after because she had already filled up her 10 songs, and there was no time, Fan Fan endured pain and did not use the song. After, Fish Leong went to Chen Shiao Shia to ask for a song, and took the chance to use the song ‘Skinny’ <瘦瘦的>, this making Fan Fan clench her fists.

Regarding coincidentally colliding with Fish Leong, Fan Wei Chi shouted in surprise: ‘That’s really coincidental! So obviously all females love beautiful clothing, that also means we have the same clothing ambitions* la!’

*In Chinese 志『衣』同 meaning same one ambition, one and clothes is pronounced the same but written different.

source: http://asianfanatics.net/forum/Fish-Leong-Fan-Fan-collide-heightens-eachs-character-and-style-talk534974.html

Fish Leong’s ticket signing meet, requests that fans promote yellow

Fish Leong Jing Ru holds ticket signing meet, kindly signs each and every ticket for fans and shakes their hands in thanks.

Fish Leong will hold a concert on the 7th of June at Taipei Arena. On the 4th, she held a concert ticket signing meet in Taipei, celebrating the ticket box office selling over 80% of tickets.

An expert in singing love songs, Fish Leong’s concert theme is still primarily music, to show off her singing expertise. But she leaks that on the clothing scale: ‘There will be a little sexiness.’ She will start to bike to train her physical strength soon, and will also control her diet to maintain her stature. Her family cooked hot pot soup to give her energy.

Fish Leong, yesterday, requested that her fans on the 7th of June raise yellow glow sticks to fit with the main theme of yellow.

source: http://asianfanatics.net/forum/Fish-Leongs-ticket-signing-meet-requests-that-fans-promote-yellow-talk534953.html

‘Fan Gun Ba! Dan Chao Fan’ Starts tonight, Jiro Wang tries to look cool, uses one arm to hug Genie Zhuo

Jiro Wang gives his all for viewer ratings, for the idol drama, which his has the lead role, CTV and GTV’s ‘Fan Gun Ba! Dan Chao Fan’ <翻滾吧! 蛋炒飯>, which joins the idol drama battlefield tonight. Cast, on the 3rd, held a premiere showing in Dan Shui. Jiro Wang Dong Cheng showed his muscles when he holds Genie Zhou up with one arm, in front of all the fans, proving that he does not become weak while trying to slim down. Chen Qiao En at TTV and SETTV’s ‘Fated to Love You’ <命中注定我愛你>’s fan meeting said that when they all went to film in Shanghai, Ethan Ruan kept on knocking on her door.

Danson Tang Yu Zhe and Xiao Xun played hold egg between each other game, did Danson turn nice yesterday? Because he is able to hold up a girl for 10 seconds, his endurance is first class, and was complained by that he always works good with females. Danson was rumoured to have a girlfriend in Dan Shui, yesterday, when he went to Dan Shui, he was a little embarrassed, quickly said: ‘the last time I came is already three years ago!’

Chen Qiao En reported that Ethan Ruan would come and knock on her at midnight when they were filming in Shanghai. Ethan Ruan, scared that girlfriend, Tiffany Shu, might get jealous, said quickly: ‘I only went to borrow shower gel.’ Following that, Chen Qiao En again accidently said that she and Ethan ‘shared a mutton skewer’. Qiao En explained that because at the time, they were filming a fierce kissing scene and she was really nervous, she held a mutton skewer eating while filming, Ethan also tried to eat some too. Then when they were filming that scene, their mouths were full of mutton taste.

source: http://asianfanatics.net/forum/Fan-Gun-Ba-Dan-Chao-Fan-Starts-tonight-Jiro-Wang-tries-to-look-cool-uses-one-arm-to-hug-Genie-Zhuo-talk534943.html